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Don McKay, CM (born 1942) is an award-winning Canadian poet, editor, and educator.
Born in Owen Sound, Ontario and raised in Cornwall, McKay was educated at the University of Western Ontario and the University of Wales, where he earned his PhD in 1971. He taught creative writing and English for 27 years in universities including the University of Western Ontario and the University of New Brunswick.
McKay is the author of twelve books of poetry, including Long Sault (1975), Lependu (1978), and Apparatus (1997). He has twice won the Governor General's Award, for Night Field (1991) and Another Gravity (2000), and in June 2007 he won the Griffin Poetry Prize for Strike/Slip (2006).
Although publishing since 1973, literary writing on McKay's poetry is new, and much critical examination of his work is yet to be done. He has made a wide impression as a teacher and editor. He is the co-founder and manuscript reader for Brick Books, one of Canada's leading poetry presses, and was editor of the literary journal The Fiddlehead from 1991-96. He has participated in the Sage Hill Writing experience in Saskatchewan and he is Associate Director for poetry at the Banff Centre for the Arts Writing Studio. He has edited many books by fellow poets, including Ken Babstock, George Elliot Clarke, Tim Lilburn, Barbara Colebrook Peace, and Michael Redhill.
McKay is an avid birdwatcher and bird themes and flight are dominant topics in his poetry. In Birding, or Desire (1983), the quirky protagonist is never far from his Birds of Canada hobbyist's field guide. McKay's passion for birds and nature percolates throughout all of his work. McKay sees his writing as "nature poetry in a time of environmental crisis."[1] McKay's poems are ecologically centred, inspired by the conflict between inspiration and spiritual, instinct and knowledge. Other members of this emerging group of "ecopoets" include Tim Lilburn, Dennis Lee, Roo Borson, Robert Bringhurst, and Jan Zwicky.[by whom?]
His book of poetic philosophy Vis à Vis: Field Notes on Poetry & Wilderness, details many of McKay's beliefs on metaphor, wildness, and the homing instinct. McKay's essay "Baler Twine," touches on his main poetic themes as well as those of Matériel and poetic attention.
In 2008, he was made a Member of the Order of Canada.[2]
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